Meadow Skipper “The Untold Story” by Victoria M. Howard and Bob Marks
is presented as an unofficial autobiography—as told to the two authors. That’s
right: Skipper himself gives us his first person perspective on the highs and
lows of being an excellent pacer and the most influential sire in the modern
era. The authors have steered clear of the traditional narrative style employed
by Don Evans in Big Bum, Nevele Pride Speed N Spirit and Super Bird; and Marie Hill in her
biography of Adios and Ron Bisman in his chronicle of the life and exploits of
Cardigan Bay. All of these books were published forty or more years ago: Marks
and Howard chose to add an anthropomorphic twist.
The breadth
of information imparted on Skipper’s racing and breeding career, as well as the
contributions, or lack thereof, of all of his prominent heirs is leaps and
bounds ahead of what has been given in other equine biographies, yet, the
literary devices employed throughout the book make all that data very easy to
digest. There’s all the inside baseball the seasoned fan would want, but the
sport’s arcane lexicon, that might leave general readers flummoxed, is either
avoided entirely or explained away.
Skipper is
presented throughout as a kind of Rocky Balboa figure. He was an awkward, lazy
colt who came very close to being gelded. A confirmed mama’s boy, he didn’t
take kindly to being separated from Countess Vivian. Nor was he pleased about
being rigged and asked for speed. He spends a good part of the book trying to
rationalize away his reputation as a sulker.
The iconic
stallion played second fiddle to the great Overtrick on the racetrack, and it
took breeders several years to realize Skipper was a sire worthy of quality
mares, or, any mares at all, for that matter. It was a long, arduous journey to
the top of the heap.
Meadow
Skipper dedicates the book to three men: Joe Lighthill, who first used his whip
to wake him out of his race day lethargy; Norman Woolworth, who showed $150,000
worth of faith in the unproven colt; and Earle Avery, who never saw a ground
saving rail trip he liked.
The first
thirteen chapters detail Skipper’s racing career; the next five examine his
sixteen year stint at stud, as well as the contributions of his offspring; and
the final chapter is a flashback on his life, delivered as he crosses over to
the other side, after suffering a heart attack in his paddock at Stoner Creek
Stud. The authors state at the outset that the book is a mix of fiction and
nonfiction. Magic realism marries harness racing. The first thing that came to
mind was Marks’ Race of the Decade series that was published in Hub Rail during
the 1970’s.
Skipper’s
primary rival throughout the racing chapters is Overtrick, who fell to our hero
in the Cane, but beat Skipper more often than not, including in the Messenger
and Jug. Marks was present for many of these races and is able to provide a
grounded firsthand account, buttressed by the omnipresent wry commentary of Meadow
Skipper himself. Walter R Brooks, who created Mister Ed and other talking
animals in a series of short stories he penned seventy-five years ago, has
nothing on Howard and Marks: That Skipper is a funny fella.
Skipper’s
“love interest” throughout is Laughing Girl, the dam of his near clone and premier
siring son, Most Happy Fella. She passed after a pasture accident at age nine,
and our boy is devastated when he gets the word.
Marks knows
the sons and daughters of Meadow Skipper better than anyone; he knows which
ones were producers, and to what level, and which ones failed to live up to
their lineage and race records. These chapters are crack for pedigree junkies,
as sons, grandsons and great grandsons are examined and graded one at a time,
in detail. From modern day progenitors like No Nukes and Cam Fella to the
wildly successful Albatross, who failed to extend, to abject failures like
Ralph Hanover, Computer, Genghis Khan and Jade Prince; it’s all there.
The same
sort of care goes into examining Meadow Skipper’s impact on the breed from a
bottom line perspective. Marks views Matt’s Scooter and Call For Rain as
Skipper’s finest credits as a broodmare sire. The former is characterized as a
successful, though not great, sire, while the double Breeders Crown winner by
Storm Damage is labeled an abject failure at stud.
Detailed
accounts of the influence of Meadow Skipper on the pedigrees of present day
stars the likes of McWicked, Artspeak,
Colors A Virgin, JK She’saldy, Sweet Lou, Anndrovette and Foiled Again follows.
We learn
that Meadow Skipper is the only Standardbred ever embalmed in Kentucky, and
that Skipper rests between Count Fleet, Crown Champ and the headstone of
Rodney. The physical Skipper, that is. His spirit is frolicking on the other
side with Laughing Girl.
Howard knows
plenty about harness racing and Marks is a skilled writer, who has always lived
outside the box with his annual yearling prognostications and the like. It’s
impossible to figure out just who is responsible for what in Meadow Skipper “The Untold Story,” but
it’s the best book about the sport I’ve ever read.
Joe
FitzGerald
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