Meadow Skipper “The Untold Story” by Victoria M. Howard and Bob Marks is presented as an unofficial autobiography—as told to the two authors. That’s right: Skipper himself gives us his first person perspective on the highs and lows of being an excellent pacer and the most influential sire in the modern era. The authors have steered clear of the traditional narrative style employed by Don Evans in Big Bum, Nevele Pride Speed N Spirit and Super Bird; and Marie Hill in her biography of Adios and Ron Bisman in his chronicle of the life and exploits of Cardigan Bay. All of these books were published forty or more years ago: Marks and Howard chose to add an anthropomorphic twist.
The breadth of information imparted on Skipper’s racing and breeding career, as well as the contributions, or lack thereof, of all of his prominent heirs is leaps and bounds ahead of what has been given in other equine biographies, yet, the literary devices employed throughout the book make all that data very easy to digest. There’s all the inside baseball the seasoned fan would want, but the sport’s arcane lexicon, that might leave general readers flummoxed, is either avoided entirely or explained away.
Skipper is presented throughout as a kind of Rocky Balboa figure. He was an awkward, lazy colt who came very close to being gelded. A confirmed mama’s boy, he didn’t take kindly to being separated from Countess Vivian. Nor was he pleased about being rigged and asked for speed. He spends a good part of the book trying to rationalize away his reputation as a sulker.
The iconic stallion played second fiddle to the great Overtrick on the racetrack, and it took breeders several years to realize Skipper was a sire worthy of quality mares, or, any mares at all, for that matter. It was a long, arduous journey to the top of the heap.
Meadow Skipper dedicates the book to three men: Joe Lighthill, who first used his whip to wake him out of his race day lethargy; Norman Woolworth, who showed $150,000 worth of faith in the unproven colt; and Earle Avery, who never saw a ground saving rail trip he liked.
The first thirteen chapters detail Skipper’s racing career; the next five examine his sixteen year stint at stud, as well as the contributions of his offspring; and the final chapter is a flashback on his life, delivered as he crosses over to the other side, after suffering a heart attack in his paddock at Stoner Creek Stud. The authors state at the outset that the book is a mix of fiction and nonfiction. Magic realism marries harness racing. The first thing that came to mind was Marks’ Race of the Decade series that was published in Hub Rail during the 1970’s.
Skipper’s primary rival throughout the racing chapters is Overtrick, who fell to our hero in the Cane, but beat Skipper more often than not, including in the Messenger and Jug. Marks was present for many of these races and is able to provide a grounded firsthand account, buttressed by the omnipresent wry commentary of Meadow Skipper himself. Walter R Brooks, who created Mister Ed and other talking animals in a series of short stories he penned seventy-five years ago, has nothing on Howard and Marks: That Skipper is a funny fella.
Skipper’s “love interest” throughout is Laughing Girl, the dam of his near clone and premier siring son, Most Happy Fella. She passed after a pasture accident at age nine, and our boy is devastated when he gets the word.
Marks knows the sons and daughters of Meadow Skipper better than anyone; he knows which ones were producers, and to what level, and which ones failed to live up to their lineage and race records. These chapters are crack for pedigree junkies, as sons, grandsons and great grandsons are examined and graded one at a time, in detail. From modern day progenitors like No Nukes and Cam Fella to the wildly successful Albatross, who failed to extend, to abject failures like Ralph Hanover, Computer, Genghis Khan and Jade Prince; it’s all there.
The same sort of care goes into examining Meadow Skipper’s impact on the breed from a bottom line perspective. Marks views Matt’s Scooter and Call For Rain as Skipper’s finest credits as a broodmare sire. The former is characterized as a successful, though not great, sire, while the double Breeders Crown winner by Storm Damage is labeled an abject failure at stud.
Detailed accounts of the influence of Meadow Skipper on the pedigrees of present day stars the likes of McWicked, Artspeak, Colors A Virgin, JK She’saldy, Sweet Lou, Anndrovette and Foiled Again follows.
We learn that Meadow Skipper is the only Standardbred ever embalmed in Kentucky, and that Skipper rests between Count Fleet, Crown Champ and the headstone of Rodney. The physical Skipper, that is. His spirit is frolicking on the other side with Laughing Girl.
Howard knows plenty about harness racing and Marks is a skilled writer, who has always lived outside the box with his annual yearling prognostications and the like. It’s impossible to figure out just who is responsible for what in Meadow Skipper “The Untold Story,” but it’s the best book about the sport I’ve ever read.